25 Books for Conservative White Guys

Discover 25 must-read books for conservative white men, featuring thought-provoking titles on politics, culture, and philosophy. Expand your mind with these essential reads.

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The Catcher in the Rye Cover
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The Catcher in the Rye

by J.D. Salinger

The "brilliant, funny, meaningful novel" (The New Yorker) that established J. D. Salinger as a leading voice in American literature--and that has instilled in millions of readers around the world a lifelong love of books. "If you really want to hear about it, the first thing you'll probably want to know is where I was born, and what my lousy childhood was like, and how my parents were occupied and all before they had me, and all that David Copperfield kind of crap, but I don't feel like going into it, if you want to know the truth." The hero-narrator of The Catcher in the Rye is an ancient child of sixteen, a native New Yorker named Holden Caufield. Through circumstances that tend to preclude adult, secondhand description, he leaves his prep school in Pennsylvania and goes underground in New York City for three days.
Ulysses Cover
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Ulysses

by James Joyce

This revised volume of the acclaimed novel follows the complete unabridged text as corrected in 1961. Set entirely on one day, 16 June 1904, Ulysses follows Leopold Bloom and Stephen Daedalus as they go about their daily business in Dublin. From this starting point, James Joyce constructs a novel of extraordinary imaginative richness and depth. Unique in the history of literature, Ulysses is one of the most important and enjoyable works of the twentieth century. This edition contains the original foreword by the author and the historic court ruling to remove the federal ban. It also contains page references to the first American edition of 1934.
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The taming of the shrew Cover
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The taming of the shrew

 

No summary available.
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The Stranger Cover
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The Stranger

by Albert Camus

With the intrigue of a psychological thriller, The Stranger—Camus's masterpiece—gives us the story of an ordinary man unwittingly drawn into a senseless murder on an Algerian beach. With an Introduction by Peter Dunwoodie; translated by Matthew Ward. Behind the subterfuge, Camus explores what he termed "the nakedness of man faced with the absurd" and describes the condition of reckless alienation and spiritual exhaustion that characterized so much of twentieth-century life. “The Stranger is a strikingly modern text and Matthew Ward’s translation will enable readers to appreciate why Camus’s stoical anti-hero and ­devious narrator remains one of the key expressions of a postwar Western malaise, and one of the cleverest exponents of a literature of ambiguity.” –from the Introduction by Peter Dunwoodie First published in 1946; now in translation by Matthew Ward.
Stolen Valor Cover
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Stolen Valor

by Bernard Gary Burkett

Military documents reveal decades of deceit about the Vietnam War and myths perpetuated by the mainstream media.
No Exit and Three Other Plays Cover
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No Exit and Three Other Plays

by Jean-Paul Sartre

NOBEL PRIZE WINNER • Four seminal plays by one of the greatest philosophers of the twentieth century. An existential portrayal of Hell in Sartre's best-known play, as well as three other brilliant, thought-provoking works: the reworking of the Electra-Orestes story, the conflict of a young intellectual torn between theory and conflict, and an arresting attack on American racism.
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The Rum Diary Cover
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The Rum Diary

by Hunter S. Thompson

The irreverent writer's long lost novel, written before his nonfiction became popular, chronicles a journalist's enthusiastic, drunken foray through 1950s San Juan.
On the Road Cover
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On the Road

by Jack Kerouac

Fictionalized narrative of travels by Kerouac and his friend Neal Cassady under pseudonyms of Sal Paradise and Dean Moriarty.
Zen and the Art of Motorcycle Maintenance Cover
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Zen and the Art of Motorcycle Maintenance

by Robert M. Pirsig

While cycling through the western states, a disillusioned American questions the meaning of existence after confronting the ghost of his former, uninstitutionalized self.
Adventures of Huckleberry Finn Cover
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Adventures of Huckleberry Finn

by Mark Twain

No summary available.
Fields of fire Cover
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Fields of fire

 

No summary available.
The Aeneid Cover
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The Aeneid

by Virgil

"Fitzgerald's [translation] is so decisively the best modern Aeneid that it is unthinkable that anyone will want to use any other version for a long time to come." —New York Review of Books Virgil's great epic transforms the Homeric tradition into a triumphal statement of the Roman civilizing mission—translated by Robert Fitzgerald.
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Nine Stories Cover
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Nine Stories

by J.D. Salinger

The "original, first-rate, serious, and beautiful" short fiction (New York Times Book Review) that introduced J. D. Salinger to American readers in the years after World War II, including "A Perfect Day for Bananafish" and the first appearance of Salinger's fictional Glass family. Nine exceptional stories from one of the great literary voices of the twentieth century. Witty, urbane, and frequently affecting, Nine Stories sits alongside Salinger's very best work--a treasure that will passed down for many generations to come. The stories: A Perfect Day for Bananafish Uncle Wiggily in Connecticut Just Before the War with the Eskimos The Laughing Man Down at the Dinghy For Esm --with Love and Squalor Pretty Mouth and Green My Eyes De Daumier-Smith's Blue Period Teddy
Rosencrantz & Guildenstern are Dead Cover
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Rosencrantz & Guildenstern are Dead

by Tom Stoppard

Acclaimed as a modern dramatic masterpiece, Rosencrantz & Guildenstern are Dead is the fabulously inventive tale of Hamlet as told from the worm's-eve view of the bewildered Rosencrantz and Guildenstern, two minor characters in Shakespeare's play. In Tom Stoppard's best-known work, this Shakespearean Laurel and Hardy finally get a chance to take the lead role, but do so in a world where echoes of Waiting for Godot resound, where reality and illusion intermix, and where fate leads our two heroes to a tragic but inevitable end. Tom Stoppard was catapulted into the front ranks of modem playwrights overnight when Rosencrantz and Guildenstern Are Dead opened in London in 1967. Its subsequent run in New York brought it the same enthusiastic acclaim, and the play has since been performed numerous times in the major theatrical centers of the world. It has won top honors for play and playwright in a poll of London Theater critics, and in its printed form it was chosen one of the "Notable Books of 1967" by the American Library Association.