20th Century Avant Garde Overview
Discover the defining works of the 20th century avant-garde in this curated overview. Explore surrealist manifestos, groundbreaking fiction like Nadja by André Breton, and the revolutionary prose of Naked Lunch. From Lautréamont’s Maldoror to the radical plays of Alfred Jarry and the playful constraints of Oulipo, this list captures the movements that shattered literary conventions. Dive into the essential books that shaped modern experimental writing, from Surrealism to the Beat Generation.
Book
Maldoror & the Complete Works of the Comte de Lautreamont
by comte de Lautréamont
Andre Breton wrote that MALDOROR is the expression of a revelation so complete it seems to exceed human potential.' First published in 1869, MALDOROR is the work of a mysterious genius about whom little is known aside from his birth in Uruguay, 1846, and his early death in Paris, 1870. His writings, published under the pseudonym Comte de Lautreamont, bewildered his contemporaries but have since taken their place alongside other French classics of transgression such as Sade, Baudelaire, Rimbaud. A unique translation.'
Book
The Ubu Plays
by Alfred Jarry
Alfred Jarry is regarded as one of the founders of modern avant-garde theatre-- "Dada, Surrealism, Pataphysics, Theatre of Cruelty, the Absurd--all owe a debt to Jarry." (Encore) This volume contains his three classic Ubu texts: Ubu Roi, Ubu Cocu and Ubu Enchaîné. Through the lucid translations of Connolly and Taylor, the reader comes to realize that the violent and loathsome Ubu is Jarry's dark metaphor for man in the modern age. As Ubu himself said, "We shall not have succeeded in demolishing everything unless we demolish the ruins as well."
Book
Nadja
by André Breton
"Nadja, " originally published in France in 1928, is the first and perhaps best Surrealist romance ever written, a book which defined that movement's attitude toward everyday life. The principal narrative is an account of the author's relationship with a girl in teh city of Paris, the story of an obsessional presence haunting his life. The first-person narrative is supplemented by forty-four photographs which form an integral part of the work -- pictures of various "surreal" people, places, and objects which the author visits or is haunted by in naja's presence and which inspire him to mediate on their reality or lack of it. "The Nadja of the book is a girl, but, like Bertrand Russell's definition of electricity as "not so much a thing as a way things happen, " Nadja is not so much a person as the way she makes people behave. She has been described as a state of mind, a feeling about reality, k a kind of vision, and the reader sometimes wonders whether she exists at all. yet it is Nadja who gives form and structure to the novel.
