2008 Fall - ENG 381 STUDIES LIT GENRES

Explore the 2008 Fall ENG 381 Studies in Literary Genres reading list. Discover curated books and genre studies from this semester's syllabus for literature enthusiasts and students.

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Watchmen Cover
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Watchmen

by Alan Moore

Imagine a future where Nixon is still President, America won the Vietnam War, and the nuclear clock stands at five minutes to midnight.
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Batman

by Frank Miller

Batman comes out of retirement in a dark future.
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Palestine Cover
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Palestine

by Joe Sacco

A landmark of journalism and the art form of comics. Based on several months of research and an extended visit to the West Bank and Gaza Strip in the early 1990s, this is a major work of political and historical nonfiction. Prior to Safe Area Gorazde: The War In Eastern Bosnia 1992-1995―Joe Sacco's breakthrough novel of graphic journalism―the acclaimed author was best known for Palestine, a two-volume graphic novel that won an American Book Award in 1996. Fantagraphics Books is pleased to present the first single-volume collection of this landmark of journalism and the art form of comics. Based on several months of research and an extended visit to the West Bank and Gaza Strip in the early 1990s (where he conducted over 100 interviews with Palestinians and Jews), Palestine was the first major comics work of political and historical nonfiction by Sacco, whose name has since become synonymous with this graphic form of New Journalism. Like Safe Area Gorazde, Palestine has been favorably compared to Art Spiegelman's Pulitzer Prize-winning Maus for its ability to brilliantly navigate such socially and politically sensitive subject matter within the confines of the comic book medium. Sacco has often been called the first comic book journalist, and he is certainly the best. This edition of Palestine also features an introduction from renowned author, critic, and historian Edward Said (Peace and Its Discontents and The Question of Palestine), one of the world's most respected authorities on the Middle Eastern conflict.
Jimmy Corrigan: The Smartest Kid on Earth Cover
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Jimmy Corrigan: The Smartest Kid on Earth

by Chris Ware

The first and now critically-acclaimed book from Chicago artist Chris Ware. A lonely and emotionally impaired everyman, Jimmy Corrigan, the Smartest Kid on Earth, is provided with the opportunity to meet his father for the first time when he is 36 years old. The story, set in 1890s Chicago and 1980s small-town Michigan, is told in hundreds of small, precisely drawn panels that regularly expand to reveal stunning draughtsmanship, and supported by fold-out instructions, an index, paper cutouts and beautifully drawn period adverts.
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Blankets

by Craig Thompson

This is a highly charged, personal story, crammed with pain, discovery, family and first love.
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American Born Chinese Cover
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American Born Chinese

by Gene Luen Yang

"Alternates three interrelated stories about the problems of young Chinese Americans trying to participate in the popular culture. Presented in comic book format." -- Title page verso
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Understanding Comics Cover
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Understanding Comics

by Scott McCloud

Praised throughout the cartoon industry by such luminaries as Art Spiegelman, Matt Groening, and Will Eisner, this innovative comic book provides a detailed look at the history, meaning, and art of comics and cartooning.
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Fun Home

by Alison Bechdel

A fresh and brilliantly told memoir from a cult favorite comic artist, marked by gothic twists, a family funeral home, sexual angst, and great books. This breakout book by Alison Bechdel is a darkly funny family tale, pitch-perfectly illustrated with Bechdel's sweetly gothic drawings. Like Marjane Satrapi's Persepolis, it's a story exhilaratingly suited to graphic memoir form. Meet Alison's father, a historic preservation expert and obsessive restorer of the family's Victorian home, a third-generation funeral home director, a high school English teacher, an icily distant parent, and a closeted homosexual who, as it turns out, is involved with his male students and a family babysitter. Through narrative that is alternately heartbreaking and fiercely funny, we are drawn into a daughter's complex yearning for her father. And yet, apart from assigned stints dusting caskets at the family-owned "fun home," as Alison and her brothers call it, the relationship achieves its most intimate expression through the shared code of books. When Alison comes out as homosexual herself in late adolescense, the denouement is swift, graphic -- and redemptive.